Mohja kahf biography graphic organizer

Kahf, Mohja 1967-

PERSONAL:

Born 1967, encompass Damascus, Syria; immigrated to Combined States, 1971; married Najib Ghadbian; children: three. Ethnicity: "Arab-American." Education: Rutgers University, B.A. (with honors), 1988, Ph.D., 1994. Religion: Muslim.

ADDRESSES:

Office—English Department, Fulbright College of Field & Sciences, 333 Kimpel Hallway, University of Arkansas, Fayetteville, Recognized 72701. E-mail—[email protected].

CAREER:

Rutgers University, New Town, NJ, instructor, 1994-95; University remaining Arkansas, Fayetteville, AR, assistant associate lecturer, 1995-2000, associate professor of associated literature, 2001—.

MEMBER:

Ozark Poets & Writers Collective, Radius of Arab-American Writers, Association of Middle East Women's Studies, Syrian Studies Association, Phi Beta Kappa, Pi Sigma End-all National Political Science Honor Sovereign state, Phi Beta Delta Honor Speak in unison for International Scholars.

AWARDS, HONORS:

First-place accolade, New Jersey Institute of Discipline, 1983, for best college rhyme in New Jersey; Garden Divulge fellowship, 1988-92; Arkansas Arts Consistory Individual Artists Fellowship, 2002; finalist, Paterson Literary Prize, 2004, energy E-mails from Scheherazad.

WRITINGS:

Western Representations supporting the Muslim Woman: From Hellcat to Odalisque, University of Texas Press (Austin, TX), 1999.

E-mails munch through Scheherazad (poetry), University of Florida Press (Gainesville, FL), 2003.

The Boy in the Tangerine Scarf: Splendid Novel, Carroll & Graf (New York, NY), 2006.

Contributor of relationship to books and anthologies, with Radius of Arab American Writers Anthology, RAWI, 1999; The Permission between Our Footsteps: Poems topmost Paintings from the Middle East, edited by Naomi Shihab Nye, Simon & Schuster (New Royalty, NY), 1998; and Windows firm footing Faith: Muslim Women's Scholarship spell Activism, edited by Gisela Sociologist, Syracuse University Press (Syracuse, NY), 2000. Contributor of poetry concentrate on journals, including Paris Review, Welldesigned Corpse, and Atlanta Review. Supporter correspondent to periodicals, including Arab Studies Quarterly, Washington Post, Banipal, Cyphers Literary Journal, and World Erudition Today. Contributor of short legendary and creative nonfiction to justness Web site Muslim WakeUp!

SIDELIGHTS:

In junk first book, Western Representations bank the Muslim Woman: From Harpy to Odalisque, Mohja Kahf examines the changing representation of Muhammedan women in literature. She takes examples from medieval chansons, Resumption drama, Enlightenment prose, and dreaming poetry of the early 19th century. She shows the inconsistent images of Muslim women providential relationship to Western interactions be on a par with the Islamic world. Rachel Psychologist in MELA Notes Book Reviews commented, "This book adds characteristic important dimension to the interpret of Western attitudes towards glory Muslim world."

In 2003 Kahf promulgated a collection of poetry styled E-mails from Scheherazad. In a-ok Booklist review of this tool, Donna Seaman described Kahf primate "whimsical, colloquial and disarmingly witty," calling some of her metrical composition "brilliantly wry and utterly irresistible."

Kahf draws heavily on her glum immigrant experience in The Juvenile in the Tangerine Scarf: Deft Novel. The book tells class story of Khadra Shamy, exceptional young Syrian girl who moves to a small American community with her family as copperplate young child. Raised in unembellished devout Muslim household, Khadra chump racism and bigotry from bake neighbors and schoolmates. However, authority author also criticizes Khadra's kinship for their own brand sun-up racism and for the worth they put on the youngster. Intent on finding her violate identity, Khardra goes back enrol Syria before finally returning be bounded by the United States with unembellished more complete sense of who she really is and wants to be. While a Publishers Weekly reviewer found Khadra calligraphic "compelling protagonist," the reviewer add-on that Khaf's criticisms of doctrine and society are "heavy-handed." Neil MacFarquhar, on the other dedicate, observed in a New Dynasty Times feature that Kahf "draws sharp, funny, earthy portraits blame the fault line separating Mohammedan women from their Western counterparts." The Girl in the Mandarin Scarf, MacFarquhar added, "turned Rag. Kahf into something of drawing idol among Muslim American women."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Booklist, March 1, 2003, Donna Seaman, review most recent E-mails from Scheherazad, p. 1141.

Choice, January, 2000, A. Mahdi, look at of Western Representations of justness Muslim Woman: From Termagant turn into Odalisque, p. 992.

New York Times, May 12, 2007, Neil MacFarquhar, "She Carries Weapons; They Instructions Called Words."

Publishers Weekly, August 14, 2006, review of The Juvenile in the Tangerine Scarf: Smart Novel, p. 180.

ONLINE

ArteEast, (October 17, 2007), Lisa Suhair Majaj, "‘Supplies of Grace’: The Poetry show Mohja Kahf," review of E-mails from Scheherazad.

MELA Notes Book Reviews, (October 23, 2001), Rachel Psychologist, review of Western Representations be advisable for the Muslim Woman.

Muslim Women's Alliance Newsletter, (August 30, 2007).

, (July 30, 2007), Sara Harrison, discussion with Mohja Kahf.

University of River Web site, (July 30, 2007), Mohja Kahf faculty page.

WebIslam, (July 30, 2007), Bettina Lehovec, debate of The Girl in character Tangerine Scarf.

Contemporary Authors, New Reading Series