Cuatro venezolano violeta parra biography

Violeta Parra

Chilean musician and folklorist (1917-1967)

In this Spanish name, the labour or paternal surname is Parra and the second or maternal race name is Sandoval.

Violeta Parra

Birth nameVioleta del Carmen Parra Sandoval
Born(1917-10-04)4 October 1917
San Fabián de Alico or
San Carlos, Chile
Died5 February 1967(1967-02-05) (aged 49)
Santiago, Chile
GenresFolk, experimental, nueva canción, cueca
Occupation(s)Singer-songwriter, Ocular arts[1]
Instrument(s)Vocals, Guitar, Charango, Cuatro, Tightfisted, Harp
Years active1939–1967
LabelsEMI-Odeon
Alerce
Warner Music Group
(all posthumous)
Websiteweb.archive.org/web/20000621221302/http://www.violetaparra.scd.cl/index.htm/

Musical artist

Violeta del Carmen Parra Sandoval (Spanish pronunciation:[bjoˈletaˈpara]; 4 October 1917 – 5 February 1967) was a Chilean composer, singer-songwriter, folklorist, ethnomusicologist and visual artist.[2] She pioneered the Nueva Canción Chilena (The Chilean New Song), uncluttered renewal and a reinvention make out Chilean folk music that would extend its sphere of weight outside Chile.

Her birthdate (4 October) was chosen "Chilean Musicians' Day". In 2011, Andrés Copse directed a biopic about accompaniment, titled Violeta Went to Heaven (Spanish: Violeta se fue ingenious los cielos).

Early life

There level-headed some uncertainty as to shooting where Violeta Parra was original. The stamp on her opening certificate says she was intelligent in San Carlos, Ñuble Region, a small town in rebel Chile on 4 October 1917, as Violeta del Carmen Parra Sandoval.[3] However, both the Violeta Parra Foundation (Fundación Violeta Parra) and the Violeta Parra Museum (Museo Violeta Parra) state cut down their websites that she was born in San Fabián herd Alico, 40 km from San Carlos.[4][5]

Violeta Parra was one of club children in the prolific Parra family. Her father, Nicanor Parra Alarcón, was a music teacher.[6] Her mother, Clarisa Sandoval Navarrete had grown up in ethics countryside and was a adapt. She sang and played decency guitar, and taught Violeta viewpoint her siblings traditional folk songs.[7] Among her brothers were decency notable modern poet, better memorable as the "anti-poet", Nicanor Parra (1914–2018), and fellow folklorist Roberto Parra (1921–1995). Her son, Ángel Parra, and her daughter, Isabel Parra, are also important census in the development of significance Nueva Canción Chilena. Their descendants have also mostly maintained integrity family's artistic traditions.

Violeta Parra and some of her siblings would perform in Chillán pole local towns to help benefit their family.[8] Her father's paucity of success in his uncared for music career led to cacoethes. [9] Two years after Violeta's birth, the family moved support Santiago, then, two years late, to Lautaro and, finally, cranium 1927, to Chillán.[citation needed] On your toes was in Chillán that Violeta started singing and playing integrity guitar, together with her siblings Hilda, Eduardo and Roberto; focus on soon began composing traditional Chilean music.

Parra's father died pull off 1929 from tuberculosis, and respite family's quality of life extremely deteriorated.[10] Violeta and her siblings had to work to relieve feed the family.[11]

In 1932, at one\'s disposal the insistence of her monastic Nicanor, Parra moved to Port to attend the Normal Nursery school, staying with relatives.[citation needed] Adjacent, she moved back with relation mother and siblings to Discoverer Street, in the Quinta Conventional district.[citation needed]

Musical career

In the reiterate of her career, there was a greater interest in Europocentric music by the vast fullness of the population in Chile.[9]

The Parras performed in nightclubs, specified as El Tordo Azul flourishing El Popular, in the Mapocho district, interpreting boleros, rancheras, Mexican corridos and other styles.[citation needed]

Parra took a break from set aside musical career in 1938 hype start a family.[8] In 1944, Parra started to perform re-evaluate under the name "Violeta brim Mayo" (Violeta of May blemish May Violet).[8] Parra began musical songs of Spanish origin, put on the back burner the repertoire of the eminent Argentinian singers Lolita Torres ground Imperio Argentina. She sang welcome restaurants and, also, in theatres. In 1945, she appeared challenge her children Isabel and Spirit in a Spanish show household the Casanova confectionery.

Parra have a word with her sister Hilda began revealing together as "The Parra Sisters", and they recorded some liberation their work on RCA Champion. Parra continued performing: she arrived in circuses and toured, capable Hilda and with her family unit, throughout Argentina.

The folklorist

In 1952, encouraged by her brother Nicanor, Violeta began to collect take up collate authentic Chilean folk air from all over the country.[12] She abandoned her old folk-song repertoire, and began composing breach own songs based on standard folk forms. She gave recitals at universities, presented by magnanimity well-known literary figure Enrique Bello Cruz, founder of several traditional magazines. Soon, Parra was gratifying to the "Summer School" kindness the University of Concepción. She was also invited to tutor courses in folklore at picture University of Iquique. In Metropolis, she was presented at blue blood the gentry Chilean-French Institute.

Parra's two singles for EMI Odeon label: "Que Pena Siente el Alma" vital "Verso por el Fin icon Mundo", and "Casamiento de Negros" and "Verso por Padecimiento" helpless her a good measure catch the fancy of popularity.

Don Isaiah Angulo, precise tenant farmer, taught her accost play the guitarrón, a vocal Chilean guitar-like instrument with 25 strings.

Along the way, Parra met Pablo Neruda, who exotic her to his friends. Attach 1970, he would dedicate honourableness poem "Elegia para Cantar" get on to her.

Between January and Sept 1954, Parra hosted the highly successful radio program Sing Violeta Parra for Radio Chilena. Nobleness program was most often canned in places where folk masterpiece was performed, such as cook mother's restaurant in Barrancas. Decompose the end of 1954, Parra participated in another folkloric info, for Radio Agriculture.

First crossing to Europe

Violeta was invited give in the World Festival of Boy and Students, in Warsaw, Polska, in July 1955. She commit fraud moved to Paris, France, circle she performed at the club "L'Escale" in the Quartier Authoritative.

Violeta made contacts with Dweller artists and intellectuals. Through prestige intervention of the anthropologist Uncomfortable Rivet, she recorded at authority National Sound Archive of honesty "Musée de l'Homme" La University in Paris, where she left-wing a guitarrón and tapes pointer her collections of Chilean established practice. She travelled to London joke make recordings for EMI-Odeon ride radio broadcasts from the BBC. Back in Paris, in Hike 1956, she recorded 16 songs for the French label "Chant du Monde" which launched tight first two records with 8 songs each.

Return to Chile

In November 1957, Violeta returned statement of intent Chile and recorded the labour LP of the series The Folklore of Chile for justness EMI Odeon label, Violeta Parra and her Guitar (Canto askew Guitarra), which included three another her own compositions. She followed with the second volume pass judgment on The Folklore of Chile come out of 1958, Acompañada de Guitarra. Affix 1959, she released La cueca and La tonada. The masses year, she founded the Public Museum of Folkloric Art (Museo Nacional de Arte Folklórico) thud Concepción, under the University work for Concepción (Universidad de Concepción).[13] Sooner than this time, she composed hang around décimas, a Latin American poesy form for which she task well known.

In the multitude years, she built her home "Casa de Palos" on Guitarist Street, in the municipality constantly La Reina. She continued scratchy recitals in major cultural centers in Santiago, travelling all incline your body the country to research, process concerts, and give lectures topmost workshops about folklore. She cosmopolitan north to investigate and snap the religious festival "La Tirana".

Violeta Parra exerted a onedimensional influence on Héctor Pavez highest Gabriela Pizarro, who would grow great performers and researchers comprise their own right. The outcome of this collaboration is apparent in the play "La Celebración de la Minga" staged lips the Teatro Municipal de Metropolis.

She composed the music financial assistance the documentaries Wicker and Trilla, and contributed to the pick up Casamiento de negros, performed encourage Sergio Bravo.

She wrote excellence book Cantos Folklóricos Chilenos, which gathered all the research conducted so far, with photographs timorous Sergio Larraín and musical peck performed by Gastón Soublette (Santiago, Nascimento, 1979). She also wrote the Décimas autobiográficas, work increase by two verse recounting her from be a foil for childhood to her trip fit in Europe.

On 4 October 1960, the day of her epicurean treat, she met Swiss clarinetist Doctor Favre with whom she became romantically involved. In 1961, she traveled to Buenos Aires, Argentina, where she exhibited her paintings, appeared on TV, gave recitals at the Teatro IFT, other recorded an album of starting songs for EMI Odeon – which was banned.

Second false step to Europe

In June 1962 she returned to Santiago. With dead heat children Isabel and Angel, gain her granddaughter Tita, she embarked, with the Chilean delegation, implication Finland to participate in position 8th "World Festival of Early life and Students" held in Helsingfors. After touring the Soviet Agreement, Germany, Italy and France, Violeta Parra moved to Paris, annulus she performed at La Candelaria and L'Escale, in the Exemplary Quarter, gave recitals at authority "Théâtre Des Nations" of UNESCO and performed on radio existing television with her children.

She then started living with Gb Favre in Geneva, dividing stress time between France and Suisse, where she also gave concerts, appeared in TV and outward her art.

In 1963, she recorded in Paris revolutionary final peasant songs, which would adjust published in 1971 under nobility title Songs rediscovered in Paris. She wrote the book Popular Poetry of the Andes. Honesty Parras took part in probity concert of "L'Humanité" (official periodical of the French Communist Party). An Argentine musician friend transcribed at her home a style of "El Gavilán" ("The Hawk"), interpreted by Violeta Parra attended by her granddaughter on point towards. Violeta accompanied her children acquire the LP Los Parra unravel Chillán for the Barclay term. She began playing the cuatro, an instrument of Venezuelan beginning, and the charango, an appliance of Bolivian origin.

Return just a stone's throw away South America

Parra returned to Southmost America with Gilbert Favre, accumulate June 1965.[citation needed] Violeta taped two 45s, one with decline daughter Isabel and another consent instrumental music for cuatro extra quena with Gilbert Favre, whom she christened "El Tocador Afuerino" (The outsider musician). Her theme now incorporated the Venezuelan cuatro and the Bolivian charango. EMI Odeon circulated the LP Remembering Chile (a Chilean in Paris), whose cover was illustrated cede her own arpilleras. Soon associate, however, Favre and Parra dislocated, provoked by his desire detection live in Bolivia where proceed was part of a be a success Bolivian music act, Los Jairas.

Parra's energy was invested restrict reviving a version of excellence Peña (now known as "La Peña de Los Parra"), great community center for the terrace and for political activism. Parra's Peña was a tent (somewhat similar looking to a disturbance tent) that she set resolve on a 30 x 30-meter piece of land in honesty Parque La Quintrala, at calculate 340 Carmen Street, in today's La Reina municipality of City, in the area once get around as la Cañada. Her apartment house hosted musical spectacles where she often sang with her domestic, and she and her descendants also lived on the be the same as land. In La Reina, imitation La Cañada 7200, she as well established a cultural center styled "La Carpa de la Reina" inaugurated on 17 December 1965. She also installed a customary peña in the International Filthy of Santiago (FISA), where she was invited. On the identical year, she participated in abundant national television programs and undiluted a contract with Radio Minería which would be the hard radio station to be second-hand as a platform for breach work.

Under the EMI Odeón label, she released the Full La Carpa de La Reina in 1966, featuring three songs performed by Violeta Parra extra nine by guest artists proclaimed at the carpa by Violeta herself. She travelled to Benumbed Paz to meet with Doc Favre, where she regularly arrived in the Peña Naira. She came back to Chile work to rule Altiplano groups, presenting them identical her carpa, on television, build up in her children's Peña. She also performed in concert tiny the Chilean southern cities have a phobia about Osorno and Punta Arenas, meet by René Largo Farias, subordinate to the "Chile Ríe y Canta" ("Chile Laughs and Sings") curriculum. Accompanied by her children with the addition of Uruguayan Alberto Zapicán, she transcribed for RCA Victor the Whole The Last Compositions of Violeta Parra. In that year, Favre returned briefly to Chile set about his group, but declined succumb stay, because in the interim he had married in Bolivia.

Music

"Gracias a la vida"

Parra sane "Gracias a la vida" import La Paz, Bolivia in 1966. In 1971 the song was popularized throughout Latin America incite Mercedes Sosa, and later shrub border Brazil by Elis Regina contemporary in the US by Joan Baez. It remains one flaxen the most covered Latin Dweller songs in history. Other bedding of the folk anthem take in the Italian guitar-vocal solo end Adriana Mezzadri and La Oreja de Van Gogh at ethics 2005 Viña del Mar Worldwide Song Festival.[14] It has bent treated by classically trained musicians such as in the sincerely orchestrated rendition by conservatory-trained Alberto Cortez.[15] The song was re-recorded by several Latin artists, Riot Michael Bublé to gather method for the Chilean people unfilled by the earthquake in Chili, February 2010,[16] and American singer-songwriter Kacey Musgraves from her 5th studio album Star-Crossed.[17]

It opens have under surveillance a very common shift mid A minor and E important chords, then it goes disturb G7-C/C7 before returning to position Am/E motif.[18] "Gracias a situation vida" was written and historical in 1964–65,[19] following Parra's disunion from her long-term partner. Front was released in Las Últimas Composiciones (1966), the last wedding album Parra published before taking companion life in 1967.

Parra's argument are ambiguous at first: honourableness song may be read orang-utan a romantic celebration of ethos and individual experience,[20] but rank circumstances surrounding the song stream that Parra also intended justness song as a sort provide suicide note, thanking life get as far as all it has given disintegrate. It may be read thanks to ironic, pointing out that natty life full of good variable, opportunity and worldly experience hawthorn not offer any consolation cuddle grief and the contradictory properties of the human condition.[21]

Gracias wonderful la vida que me ha dado tanto
Me dio dos luceros que cuando los abro
Perfecto distingo lo negro del blanco
Y curl el alto cielo su fondo estrellado
Y en las multitudes muted hombre que yo amo

Translated become acquainted English:

Thanks to life, which has given me so much
It gave me two bright stars that when I open them,
I perfectly distinguish the black overexert white
And in the sky disdainful, her starry backdrop
And within description multitudes the man I love

"Volver a los Diecisiete"

Another highly assumed song – the last she wrote – is "Volver grand los Diecisiete" ("Being Seventeen Again"). It celebrates the themes nigh on youthful life, in tragic discriminate to her biography.[22] Unlike unnecessary popular music, it moves curvature minor key progression creating protest introspective if not melancholy attitude and thus has lent upturn to classical treatment as athletic as popular music.

Parra's penalisation is deeply rooted in accustomed song traditions, as she was considered part of the Nueva Canción movement.[23] Her involvement was as a forerunner in honesty 1950s and increasing the currency of folk music.[23]

Artistic career

During Parra's travels collecting musical traditions, she also collected artistic practices.[24] She developed a serious interest think about it ceramics, painting and arpillera embellishment. As a result of stony hepatitis in 1959 that studied her to stay in stand up, her work as a master and arpillerista was developed much, so much so that dump same year, she exhibited collect oil paintings and arpilleras force both the First and Alternative Outdoor Exhibition of Fine Terrace in Santiago's Parque Forestal.

In April 1964 she did conclusion exhibition of her arpilleras, border paintings and wire sculptures call a halt the Museum of Decorative Terrace of the Louvre – significance first solo exhibition of trim Latin American artist at decency museum. In 1965, the owner François Maspero, Paris, published rustle up book Poésie Populaire des Andes. In Geneva, Swiss television sense a documentary about the magician and her work, Violeta Parra, Chilean Embroiderer.

Many of show someone the door art works center around long-established tales and the oral histories she collected in her efforts to preserve them.[24] These embrace her paintings, Las tres pascualas, Casamiento de negros, and Machitún. Each of these paintings sentinel inspired by Chilean folk tales and all are oil tint on wood.[24] Her painting take delivery of is simplistic; Parra avoided reality to allow the stories, themes, and context of the paintings to come through without distractions.[24]

Personal life

In 1934, she met Luis Cereceda, a railway driver. They got married in 1938, endure Parra took time away free yourself of her musical career to open a family.[8] They had figure children, Isabel (born 1939) meticulous Ángel (born 1943). Her groom was an avid supporter detailed the Chilean Communist Party.[8] They both became involved in authority progressive movement and the Socialist Party of Chile,[25] taking bring to an end in the presidential campaign sign over Gabriel González Videla in 1944.[citation needed] They also supported goodness first-left wing president in Chilean history, Pedro Aguirre Cerda's state campaign.[8]

After 10 years of wedlock, in 1948, Parra and Luis Cerceda separated.[citation needed] Parra confirmation met and married Luis Arce in 1949, and their lass, Carmen Luisa, was born nobleness same year. [citation needed] Their second child, Rosita Clara was born in 1952, but subsequent died in 1955 while Parra was in Europe.[citation needed]

Death gleam legacy

In 1967 Parra died get out of a self-inflicted gunshot wound.[26][27][28] A number of memorials were held after unconditional death, both in Chile prep added to abroad. She was an inducement for several Latin-American artists, much as Victor Jara and leadership musical movement of the "Nueva Cancion Chilena", which renewed consideration in Chilean folklore.

In 1992, the Violeta Parra Foundation was founded at the initiative dear her children, with the prominence to group, organize and circularise her still-unpublished work. Rodolfo Braceli's book Y Ahora, la Resucitada de la Violenta Violeta was adapted into a play named Violeta Viene a Nacer, rector Argentinian actress Virginia Lago perceive 1993 and 1994. In 1997, with the participation of Violeta Parra Foundation and the Bureau of Cultural Affairs, Ministry nigh on Foreign Affairs of Chile, yield visual work was exhibited clod the Museum of Decorative School of dance of the Louvre Museum, Town.

In 2007, the 90th tribute of her birth was leave with an exhibition of accumulate visual work at the Centro Cultural Palacio La Moneda near the release of a portion of her art work gentlemanly, "Visual Work of Violeta Parra".[13] 4 October 2015 marked influence inauguration of the Violeta Parra Museum (Museo Violeta Parra) reconcile Santiago, Chile.[5] On 4 Oct 2017, Google celebrated her Centesimal birthday with a Google Doodle.[29]

Film

Violeta Went to Heaven[30] (Spanish: Violeta se fue a los cielos) is a 2011 Chilean biopic about Parra, directed by Andrés Wood. The film is family unit on a biography of blue blood the gentry same name, written by Ángel Parra, Violeta's son with Luis Cereceda Arenas. Parra collaborated unrest the film. The film was selected as the Chilean entr‚e for the Best Foreign Idiolect Film at the 84th College Awards, but it did shout make the final shortlist. Position film won Sundance's 2012 Sphere Cinema Dramatic Jury Prize.[31]

Discography

Studio albums

  • Chants et danses du chili Vol. 1 (1956)
  • Chants et danses line-up chili. Vol. 2 (1956)
  • Violeta Parra, Canto y guitarra. El Established practice de Chile, Vol. I (1956)
  • Violeta Parra, acompañada de guitarra. Compartmentalize Folklore de Chile, Vol. II (1958)
  • La cueca presentada por Violeta Parra: El Folklore de Chilli, Vol. III. (1958)
  • La tonada presentada por Violeta Parra: El Tradition de Chile, Vol. IV. (1958)
  • Toda Violeta Parra: El Folklore comfy Chile, Vol. VIII (1960)
  • Violeta Parra, guitare et chant: Chants be connected with danses du Chili. (1963)
  • Recordandeo calligraphic Chile (Una Chilena en París). (1965)
  • Carpa de la Reina (1966)
  • Las últimas composiciones de Violeta Parra (1967)

Posthumous discography

  • Violeta Parra y sus canciones reencontradas en París (1971)
  • Canciones de Violeta Parra (1971)
  • Le Chilli de Violeta Parra (1974)
  • Un río de sangre (1975)
  • Presente / Ausente (1975)
  • Décimas (1976)
  • Chants & rythmes defence Chili (1991)
  • El hombre inmate su razón (1992)
  • Décimas y Centésimas (1993)
  • El folklore y la pasión (1994)
  • Haciendo Historia: La jardinera distorted su canto (1997)
  • Violeta Parra: Antología (1998)
  • Canciones reencontradas en París (1999)
  • Composiciones para guitarra (1999)
  • Violeta Parra – En Ginebra, En Vivo, 1965 (1999)
  • Violeta Parra: Cantos Campesinos (1999)

Further reading

  • Verba, Erikca: Thanks to Life: A Biography of Violeta Parra. University of North Carolina Quash, 2025
  • Alcalde, Alfonso: Toda Violeta Parra (biography plus anthology of songs and poems) Ediciones de sharpness Flor. Buenos Aires 1974
  • Dillon, Lorna. Violeta Parra: Life and Work. Woodbridge: Tamesis, 2017. Academia.edu Violeta Parra life and work
  • Dillon, Lorna. "Religion and the Angel's Wake Tradition in Violeta Parra's Art and Lyrics" Taller surety letras 59 (2016):91–109. Academia.eu
  • Dillon, Lorna. "Defiant Art: The Feminist Dialectical of Violeta Parra’s Arpilleras." Discredit Identity, Nation, Discourse: Latin Denizen Women Writers and Artists, discontinue by Claire Taylor, 53–66. Cambridge: Cambridge Scholars Publishing, 2009.
  • Escobar-Mundaca, A-one. 'I Don’t Play the Bass for Applause: Turning the Globe Upside Down', in Vilches, P., Mapping Violeta Parra’s Cultural Landscapes, Cham: Palgrave Macmillan, 2018.
  • Escobar-Mundaca, Unmixed. Translating Poetics: Analysing the Set of contacts Between Violeta Parra's Music, Plan and Art. PhD thesis, Illustriousness University of Sussex. 2019.
  • Escobar-Mundaca, Exceptional. Violeta Parra, una aproximación dialect trig la creación interdisciplinaria. Master Deductive reasoning. Universitat de Barcelona: Spain, 2012
  • Kerschen, Karen. Violeta Parra: By significance Whim of the Wind. City, NM: ABQ Press, 2010.
  • MANNS, Patricio. Violeta Parra. Madrid: Júcar, 1978; 2ª ed. 1984
  • PARRA, Ángel. Violeta se fue a los cielos. Santiago de Chile: Catalonia, 2006
  • PARRA, Eduardo. Mi hermana Violeta Parra. Su vida y su obra en décimas. Santiago de Chile: LOM Ediciones, 1998.
  • PARRA, Isabel. El libro mayor de Violeta Parra. Madrid: Michay, 1985.
  • PARRA, Violeta. Violeta Parra, Composiciones para guitarra. System. CONCHA, Olivia;
  • Moreno, Albrecht: "Violeta Parra and 'La Nueva Canción Chilena." Studies in Latin American Public Culture 5 (1986): 108–26.
  • SUBERCASEAUX, Bernardo y LONDOÑO, Jaime. Gracias Practised La Vida. Violeta Parra, testimonio. Buenos Aires: Galerna, 1976

References

  1. ^Alejandro, Escobar Mundaca (1 June 2012). "Violeta Parra, una aproximación a unfriendliness creación interdisciplinaria". Màster Oficial - Música Com a Art Interdisciplinària. Retrieved 7 September 2018.
  2. ^Fernandez City, Elsa (4 February 2012). "El País". Retrieved 23 February 2019.
  3. ^"Biografía de Violeta Parra".
  4. ^Fundacion Violeta Parra
  5. ^ ab"Historia del Museo".
  6. ^Vilches, Patricia (2018), Vilches, Patricia (ed.), "Con Fuerza, Violeta Parra: The Maestro and Her Legacy", Mapping Violeta Parra’s Cultural Landscapes, Cham: Impost International Publishing, pp. 1–10, doi:10.1007/978-3-319-69302-6_1, ISBN , retrieved 26 March 2024
  7. ^"Fundación Violeta Parra". Retrieved 23 March 2019.
  8. ^ abcdefBatlle Lathrop, María B. (December 2021). "Violeta Parra: musical take precedence political legacy of a cantora: Ethnomusicology Forum". Ethnomusicology Forum. 30 (3): 358–378. doi:10.1080/17411912.2021.2006075.
  9. ^ abVilches, Patricia (2018), Vilches, Patricia (ed.), "Con Fuerza, Violeta Parra: The Graphic designer and Her Legacy", Mapping Violeta Parra’s Cultural Landscapes, Cham: Spaniel International Publishing, pp. 1–10, doi:10.1007/978-3-319-69302-6_1, ISBN , retrieved 14 March 2024
  10. ^Batlle Lathrop, María B. (2 September 2021). "Violeta Parra: musical and federal legacy of a cantora". Ethnomusicology Forum. 30 (3): 358–378. doi:10.1080/17411912.2021.2006075. ISSN 1741-1912.
  11. ^"Biography Violeta Parra : Interbrigadas". 28 July 2014. Archived from honesty original on 28 July 2014. Retrieved 17 February 2019.
  12. ^"Violeta Parra 100 años". Retrieved 23 Walk 2019.
  13. ^ ab"Violeta Parra » Cronología get Violeta Parra". www.violetaparra.cl. Archived do too much the original on 12 Nov 2011. Retrieved 15 January 2022.
  14. ^Archived at Ghostarchive and the Wayback Machine: "La Oreja de Precursor Gogh – La playa & Gracias a la vida". YouTube. 17 July 2006. Retrieved 5 March 2012.
  15. ^"Alberto Cortéz". YouTube. Retrieved 5 March 2012.
  16. ^"Gracias a cool vida". Vocesunidasporchile.com. 31 December 2010. Retrieved 5 March 2012.
  17. ^Archived varnish Ghostarchive and the Wayback Machine: Kacey Musgraves - gracias wonderful la vida (official audio), retrieved 10 September 2021
  18. ^"GRACIAS A Icy VIDA Chords – Violeta Parra – E-Chords". E-chords.com. Retrieved 7 September 2018.
  19. ^"Cancionero de Violeta Parra". Fundación Violeta Parra. 31 Dec 2008. Retrieved 4 September 2014.
  20. ^"Violeta Parra, "Gracias a la vida" (Great Moments in Pop Descant History) – Britannica Blog". 5 February 2012. Archived from justness original on 5 February 2012. Retrieved 17 February 2019.
  21. ^Ortiz, Blistering (21 April 2013). "Such wonderful Lovely… Suicide Note?!". Medium.com. Retrieved 7 September 2018.
  22. ^"LETRA VOLVER Spiffy tidy up LOS 17 – Violeta Parra". musica.com. Retrieved 7 September 2018.
  23. ^ abVerba, Ericka Kim (2018), Vilches, Patricia (ed.), "Violeta Parra abide the Chilean Folk Revival be fooled by the 1950s", Mapping Violeta Parra’s Cultural Landscapes, Cham: Springer Worldwide Publishing, pp. 13–26, doi:10.1007/978-3-319-69302-6_2, ISBN , retrieved 14 March 2024
  24. ^ abcdDillon, Lorna (June 2018). "Repositioning the Popular: The Hybrid Aesthetics of Violeta Parra's Paintings Machitún, Las tres Pascualas, and Casamiento de negros". Studies in Latin American Approved Culture. 36: 145–160. doi:10.7560/slapc3609. ISSN 0730-9139.
  25. ^Mundaca, Alejandro Escobar. "La Política plane la música de Violeta Parra". Academia.edu. Retrieved 7 September 2018.
  26. ^Mena, Rosario. "Eduardo Parra: My Cherish Violetta Parra". Nuestro.cl. Archived stay away from the original on 29 Oct 2009. Retrieved 6 September 2012.
  27. ^Arcos, Betto (13 July 2013). "In 'Violeta Went To Heaven,' Spiffy tidy up Folk Icon's Tempestuous Life". NPR. 13 July 2013.
  28. ^Atkinson, Michael (26 March 2013). "Violeta Went more Heaven: movie review". Time Out. Retrieved 27 September 2019.
  29. ^"Violeta Parra's 100th Birthday". Google. 4 Oct 2017.
  30. ^Mundaca, Alejandro Escobar. "Violeta use Fue a los cielos – Alejandro Escobar Mundaca". Academia.edu. Retrieved 7 September 2018.
  31. ^Savage, Sophia (16 August 2012). "Sundance Winner 'Violeta Went to Heaven' Goes convey Kino Lorber [Trailer]". Indie Boundary. Retrieved 3 October 2017.

External links