Biography on kevin henkes
Kevin Henkes (1960-) Biography
Born 1960, budget Racine, WI; Education: Attended Founding of Wisconsin—Madison.
Addresses
Agent—c/o Author Mail, Green-willow Books, 1350 Avenue of dignity Americas, New York, NY 10019.
Career
Writer and illustrator.
Honors Awards
Children's Choice Retain selection, Children's Book Council/International Relevance Association, 1986, both for A Weekend with Wendell; Library last part Congress Best Books of honourableness Year citation, 1988, for Once around the Block; notable finished citation, American Library Association (ALA), 1988, and Keystone to Adaptation Award, Keystone State Reading Business, 1990, both for Chester's Way; best books of the harvest citation, School Library Journal, 1989, for Jessica; ALA notable softcover citation, 1990, for Julius, nobleness Baby of the World; Muse about of Congress Best Books promote the Year citation, School Scrutinize Journal best books of grandeur year citation, and ALA inspiring book citation, all 1991, with Outstanding Achievement award, Wisconsin Exploration Association, 1992, all for Chrysanthemum; School Library Journal best books of the year citation, 1992, and Elizabeth Burr Award, River Library Association, 1993, both expend Words of Stone; School Collection Journal best books of dignity year citation, and ALA different children's book citation, both 1993, Boston Globe-Horn Book Award accept, Elizabeth Burr Award, Archer/Ekblad Low-ranking Picture Book Award, Council courier Wisconsin Writers, and Caldecott Have Book designation, all 1994, homeless person for Owen; Booklist "Top ensnare the List" Picture Book Purse, 1996, and American Booksellers Hard-cover of the Year (ABBY) Grant, 1997, all for Lilly's Colourize Plastic Purse; School Library Journal best books of the gathering citation, 1997, and ALA atypical book citation, 1998, both ardently desire Sun and Spoon; Charlotte Zolotow Award, 1999, for Circle Dogs; ALA notable children's book note, 2000, and children's choices most important teachers choices awards, International Exercise Association, and School Library Journal best children's books of influence year citation, all 2001, riot for Wemberley Worried; ALA famed children's book citation, 2001, superfluous Sheila Rae's Peppermint Stick; Jo Osborne Award for Humor hobble Children's Literature, 2002.
Writings
SELF-ILLUSTRATED
All Alone, Greenwillow (New York, NY), 1981.
Clean Enough, Greenwillow (New York, NY), 1982.
Kevin Henkes
Margaret and Taylor, Greenwillow (New York, NY), 1983.
Bailey Goes Camping, Greenwillow (New York, NY), 1985.
Grandpa and Bo, Greenwillow (New Royalty, NY), 1986.
Sheila Rae, the Brave, Greenwillow (New York, NY), 1987.
A Weekend with Wendell, Greenwillow (New York, NY), 1987.
Chester's Way, Greenwillow (New York, NY), 1988.
Jessica, Greenwillow (New York, NY), 1989.
Shhhh, Greenwillow (New York, NY), 1989.
Julius, rendering Baby of the World, Greenwillow (New York, NY), 1990.
Chrysanthemum, Greenwillow (New York, NY), 1991.
Owen, Greenwillow (New York, NY), 1993.
Lilly's Colour Plastic Purse, Greenwillow (New Dynasty, NY), 1996.
Wemberley Worried, Greenwillow (New York, NY), 2000.
Kitten's First Abundant Moon, Greenwillow (New York, NY), 2004.
NOVELS
(Self-illustrated) Return to Sender, Greenwillow (New York, NY), 1984.
(Self-illustrated) Two under Par, Greenwillow (New Dynasty, NY), 1987.
The Zebra Wall, Greenwillow (New York, NY), 1988.
Words loosen Stone, Greenwillow (New York, NY), 1992.
Protecting Marie, Greenwillow (New Royalty, NY), 1995.
Sun and Spoon, Greenwillow (New York, NY), 1997.
The Regale Room, Greenwillow (New York, NY), 1999.
Olive's Ocean, Greenwillow (New Dynasty, NY), 2003.
BOARD BOOKS; SELF-ILLUSTRATED
Sheila Rae's Peppermint Stick, Greenwillow (New Royalty, NY), 2002.
Owen's Marshmallow Chick, Greenwillow (New York, NY), 2002.
Julius's 1 Corn, HarperFestival (New York, NY), 2003.
Wemberly's Ice-Cream Star, HarperFestival (New York, NY), 2003.
Lilly's Chocolate Heart, Greenwillow (New York, NY), 2004.
OTHER
Once around the Block, illustrated tough Victoria Chess, Greenwillow (New Royalty, NY), 1987.
Good-bye, Curtis, illustrated coarse Marisabina Russo, Green-willow (New Royalty, NY), 1995.
The Biggest Boy, picturesque by Nancy Tafuri, Greenwillow (New York, NY), 1995.
Circle Dogs, clear by Dan Yaccarino, Greenwillow (New York, NY), 1998.
Oh!, illustrated insensitive to Laura Dronzek, Greenwillow (New Dynasty, NY), 1999.
So Happy!, illustrated chunk Anita Lobel, Greenwillow (New Royalty, NY), 2005.
Author of introduction craving Bonjour, Babar!: The Six Un-abridged Classics by the Creator realize Babar, by Jean de Brunhoff.
Adaptations
A Weekend with Wendell was completed into a filmstrip and copperplate read-along audio cassette, both do without Weston Woods, 1988; Recorded Books recorded audiocassettes of Words supporting Stone, 1993, Two under Par, 1997, and The Zebra Wall, 1997; Listening Library recorded come audiocassette of Sun and Spoon, 1998. Weston Woods has prefab videocassette adaptations of A Weekend with Wendell, Owen, and Chrysanthemum. Broderbund Software created a "Living Books" CD-ROM game based fondness Sheila Rae, the Brave.
Work take on Progress
Dog and Twice as Far, both for Greenwillow.
Sidelights
The books break on Kevin Henkes have been day out praised for the funny careful, above all, realistic way they portray children, particularly their supplier with parents and peers. Henkes is most famous for surmount picture books, many of which feature unforgettable mouse characters much as Lilly and Owen, on the other hand he has written several professional novels as well. Bulletin locate the Center for Children's Books reviewer Betsy Hearne observed defer Henkes's writing "sounds as postulate the author has been inquisitive on children at play," like chalk and cheese Chicago Tribune Books critic Within acceptable limits Harris Veeder wrote that "Henkes's children are full of honourableness imperfections and emotions which identification real life." As Martha Vocalist Parravano similarly noted in Children's Books and Their Creators: "Henkes is the creator of gauge picture books—in which text suffer illustrations work together to pretend a seamless whole—that exhibit intimation innate understanding of children take up always contain a strong remark of security and comfort."
Books pretended an important part in Henkes's childhood, spent in Wisconsin. Emperor family regularly visited the nearby public library, and checking drape his own books and pungent them home was an director event for Henkes. Illustrations ofttimes determined which books he would select, and the works outandout Crockett Johnson and Garth Clergyman were particular favorites. Admitting direct to a childhood desire to remedy an artist when he grew up, the illustrator told Ilene Cooper of Booklist: "My parents and my sisters encouraged decompose in that. There was hoaxer art museum near my abode, and we used to power excursions there." As a lanky schooler, Henkes was encouraged prep between a teacher to develop emperor writing skills as well, to such a degree accord inspiring his future career. "I knew I liked to create, draw and paint," he vocal in a Publishers Weekly talk with Nathalie Op de Beeck, "and I wanted to hit upon an art form to unite those things—that's when I rediscovered picture books." "I wondered be concerned about authors and illustrators when Beside oneself was growing up," Henkes wrote on his Web site. Settle down continued, "I never imagined delay one day I would rectify one myself."
Henkes attended the Rule of Wisconsin, where he majored in art. Between his supreme two years of college, fair enough decided to travel to Advanced York City to find spiffy tidy up publisher who might be concerned in his work. While break-up into publishing is usually do difficult, the idealistic student was undaunted. "I picked the workweek I would go to Spanking York, made a list virtuous my ten favorite publishers, beginning set up appointments," he spoken Op de Beeck. "I went thinking, 'I'll come back partner a book contract.'" Henkes plainspoken his homework and included amidst his interviews one with unmixed editor whom he had heard lecture on tape. "Magically enough," Henkes wrote on his Spider`s web interlacin site, "Susan Hirschman at Greenwillow Books made my dream attainment true." When he returned around school, the nineteen year hesitate had a contract for realm first book in hand. Establish 1981, he published his culminating picture book, All Alone, which he had first drafted at the same time as in high school.
Both All Alone and its follow-up, Clean Enough, are gentle stories relating prodigious, everyday children's activities of descendants. While critics did not strike the text exceptionally distinguished, they have praised Henkes's artwork. Treat All Alone, in which practised little boy uses his belief while outside, a Publishers Weekly reviewer stated that "muted flag [and] delicate lines reflect righteousness sensitivity in the text." Efficient Kirkus Reviews writer likewise experiential that "Henkes paints with spruce up delicate palette … and blue blood the gentry illustrations have a degree panic about feeling." Bathtime is the target of Clean Enough, as boss little boy considers how pan get the water just excellence right temperature and remembers earlier adventures in the tub. School Library Journal contributor Joan Exposed. Blos found this work "highly successful" and praised the text's "nuances of humor" as ablebodied as Henkes's "affectionate drawings."
After promulgation Margaret and Taylor, which relates the travails of a adolescence who tries to overcome rendering nasty tricks of his elder sister, and Return to Sender, in which a postal employee responds to a boy's epistle to a superhero, Henkes peaky his hand at his labour animal characters. In Bailey Goes Camping, young rabbit Bailey report disappointed at being left lack of inhibition while his older siblings shake on a Bunny Scouts inhabitancy trip. His understanding mother, subdue, finds ways for him inspire enjoy camping activities while rot home. The story "truly captures the world of the miniature child," Anne Devereaux Jordan Dramatist remarked in Children's Book Survey Service, adding praise for honourableness book's "wit and warmth." Cream its gentle pastels and spartan text, Bailey Goes Camping psychoanalysis "a cozy, comfortable book guarantee will leave youngsters smiling," Denise M. Wilms wrote in Booklist. A loving spirit also infuses Grandpa and Bo, about calligraphic shared summer between a adolescence and his grandfather. The volume "is a welcome addition revoke [Henkes's] growing list of accomplishments," a Kirkus Reviews critic declared, explaining that the artist's "soft pencil drawings accurately convey authority story's mood of quiet simplicity."
Many of Henkes's most popular books feature a group of minor mice whose adventures and actions mirror those of children oecumenical. "I found I could roleplay much more humor out keep in good condition animals, and besides it innocent me from having to burlesque from a human model," authority artist revealed to Cooper. "I tried rabbits for a size, but I found mice come together be the most fun. Moment, I've really grown attached drop a line to some of my mouse notating, so I'd like to investigate their lives a little ribbon more." The first of these mouse works is the For kids Choice Book A Weekend form a junction with Wendell. Wendell's parents have asleep out of town, leaving Wendell to stay with Sophie's kindred for the weekend. Wendell, despite that, is a difficult house lodger, in spite of Sophie's attempts to be a good hotelier. When the two play do, for example, Wendell is description father, mother, and children, end Sophie to be the dog; when they play hospital, Wendell makes himself the doctor, justness patient, and the nurse, foundation Sophie the desk clerk; very last while playing bakery, Wendell evaluation the baker—Sophie is a sticky roll. In the end she can bear it no longer; Wendell gets his comeuppance, view the two mice ultimately suit close friends. The story admiration "divertingly recounted by Henkes let fall good humor and charm," unornamented Publishers Weekly critic stated, gear that "the postures of sovereignty mice children speak volumes."
In Sheila Rae, the Brave, boastful veteran sister Sheila Rae impresses haunt meek younger sister Louise connect with her ability to combat scoot, bullies, and monsters in high-mindedness closet. When Sheila Rae's intellect gets the best of bitterness while taking a new association home from school, however, elect is Louise who comes join the rescue. "Everything that happens here is completely credible," neat Publishers Weekly writer commented, "hence appealing to kids' intuitions." School Library Journal contributor David Storm likewise asserted that children would enjoy the book's humor humbling realism, and also praised Henkes's "bouncy watercolors" and "highly allusive faces."
Chester's Way introduces one round the author's most popular code, the imaginative and impish Lilly. When Lilly moves into high-mindedness neighborhood, best friends Chester challenging Wilson both have some suiting to do before the threesome become good friends. "Henkes's perception of friendship captures the stress of the childlike," a Publishers Weekly critic noted, adding wind "every sentence is either open funny or dense with set alight, deadpan humor." In this "amusing, believable story" with its "delightful little mice," Ann A. Flower wrote in Horn Book drift the author-illustrator once again demonstrates "his strong empathy with righteousness feelings of children."
To the indulge of his fans, Henkes has continued to explore the existence of his young mouse signs in several critically acclaimed reach books. Julius, the Baby pay the World again features brazen young Lilly, who is these days about to become a sister—much to her displeasure. Before rectitude baby is born, Lilly commission sure she will be a-ok wonderful big sister as she watches her parents buy toys for the new arrival sit talk to it through squash up mother's swollen belly. When slight Julius is born, however, Lilly is disgusted by the tend he commands—attention that was, up in the air recently, reserved for Lilly by oneself. She wishes Julius away. She pinches his tender flesh. She recites to him a lost alphabet, to undo the inculcate of her parents. However, conj at the time that a visiting cousin voices her disapproval, big sister comes near Julius's defense. "There is even to admire, giggle over become peaceful learn from Julius, the Infant of the World," Ann Pleshette Murphy wrote in the New York Times Book Review. "No matter how vitriolic a expansive sister may become, she actually does love her little fellowman after all."
Other everyday concerns apprehend explored in books such pass for Chrysanthemum, in which a lass discovers that being different crapper mean being special, and Owen, which earned Henkes a Caldecott Honor citation. Owen is anxiety to start school, and advantageous his nosy neighbor Mrs. Make suggests to his parents desert he needs to give quit his cherished blanket, Fuzzy. Integrity resourceful Owen thwarts every deception his parents use to be him give up Fuzzy, unsettled his mother finds the on target solution: turn Fuzzy into organized series of handkerchiefs small inadequate to fit in his pilfer. "Owen is a great adding up to Kevin Henkes's many cute characters," Hanna B. Zeiger wrote in Horn Book, while Tree Rochman explained in Booklist mosey the author/illustrator can convey sentiment "with a few simple lines."
While Owen earned its creator top first major award citations, queen next picture book has established to be one of circlet most popular. Lilly's Purple Bendy Purse features the return pageant the spunky little girl coward, now in school. Lilly loves everything about school, especially multifaceted teacher, Mr. Slinger. When sum up excitement over sharing her sweet-sounding purse with him leads find time for a reprimand, however, Lilly's intense devotion turns into anger. Acquit yourself portraying Lilly's journey from grief to reconciliation, Henkes "once in addition demonstrates his direct line class the roller-coaster emotions of short children," a Kirkus Reviews essayist stated. Reviewers highlighted the artist's use of humor as superior as his ability to pronounce feelings in his drawings; School Library Journal contributor Marianne Saccardi observed that "with a rare deft strokes, Henkes changes Lilly's facial expressions and body have a chat to reveal a full prime of emotions." Ilene Cooper collective Booklist likewise hailed the author's ability to portray Lilly's crossbred emotions, and commented: "That Henkes is able to bring that perplexity—and its sometimes sweet solutions—to a child's level is sovereignty gift." The result of that gift, wrote M. P. Dunleavey in the New York Era Book Review, is "a put your name down for so delightful, so exuberant, deceitful and evocative of the zealous life that children live brand we look on, that give someone a buzz considers nailing a proclamation harm the door of the community bookseller or wearing a simulation around one's neck to make known it."
In 2000, another mouse crash the bookshelves; worrywart Wemberly denunciation introduced in Henkes's Wemberly Worried. Wemberly, a white mouse criticism a dark spot around pretty up left eye, worries about entire lot. When she has to mug going to school, her worries become even bigger than conventional. Luckily for Wemberly and safe constant companion, a small waffle doll, another girl mouse, Chef-d`oeuvre, who also carries a game, is just as nervous take notice of the first day of academy. As the two begin lying on become friends, Wemberly finds she has just a little trade less to worry about. "Henkes adroitly juggles the main account, hand-lettered asides and watercolor-and-ink imagery," wrote a critic in Publishers Weekly. Joy Fleishhacker, in a- review for School Library Journal, considered the story to skin related "with sensitivity and adequate with perfectly chosen details." Ilene Cooper, writing for Booklist hollered Wemberly a "winsome worry-wart," point of view a Horn Book reviewer notable that "Henkes's picture books sunny finding your way in picture world a little less daunting."
Lilly, Owen, Wemberly, and the perturb mice appear in their leave behind series of board books fit in very young readers. In scold title, the young mouse has some sort of candy entertainment and must decide how, instruction, in some cases, whether feel sorry not to eat it. Lilly searches for a place cut into hide her last piece pale Valentine's candy in Lilly's Coffee Heart, while Wemberly waits as well long to eat her office cream and ends up operate ice cream soup in Wemberly's Ice-Cream Star, which Melinda Piehler in School Library Journal believed "another winning story." Julius give something the onceover not allowed to eat Day cupcakes, but instead counts decency candy corn decorating them effort Julius's Candy Corn, which was called "a gem of natty story" by Olga R. Kuharets in a review for School Library Journal. Sheila Rae convinces her sister Louise to application the impossible before sharing respite candy in Sheila Rae's Eucalyptus Stick. A Horn Book referee wrote that "Henkes's expressive illustrations work perfectly with the short-and-sweet text," and Kathy Broderick live in Booklist called Sheila Rae's Eucalypt Stick "a beautifully told story." And in "a sweet benevolence story" according to Ann Engrave in School Library Journal, Reformist becomes attached to one nigh on his Easter candies in Owen's Marshmallow Chick. Commenting on description series, a critic for Kirkus Reviews proclaimed, "Henkes has down the art of transferring wreath mouse children to the clarity required for a board book."
Although he has earned critical illustrious popular acclaim for his unearthing books featuring mice, Henkes has also diverted from that fortunate formula. In Jessica he tells the story of Ruthie soar the imaginary playmate who "becomes real" when Ruthie meets exceptional similarly named new student suspicious school. "Not one extraneous ingredient in text or pictures mars the lyrical, joyous tone," Established M. Burns declared in Horn Book, while Bulletin of nobleness Center for Children's Books novelist Roger Sutton hailed the book's "witty use of white extreme and … imaginative variety ticking off type and line placement." Pathway his first venture outside confront watercolors, Henkes used broad-stroked paint paintings in Shhhh, a dust portrayal of a child awaken in the quiet early period. The artwork was deemed complete in conveying "the hushed globe of a child's first wary moments" by a Publishers Weekly critic.
Henkes experiments with black-and-white illustrations in Kitten's First Full Moon, the story of a kitty who thinks the moon recap a big bowl of impose on in the sky. Kitten tries and tries to capture influence big bowl of milk symbolize herself, but after a temporary of failure returns home round on find her own small bewilder of milk waiting for assembly. Gillian Engberg, writing in Booklist, noted that Henkes "creates graceful loveable, expressive character in goodness determined kitten." A critic matter Kirkus Reviews, noting that Henkes's illustrations give the book swell "retro look" called the headline "simply charming." According to top-hole reviewer for Publishers Weekly, representation "determined" kitten and her "comical quest will win over" ant readers. Christine M. Heppermann rise Horn Book called Kitten's Pull it off Full Moon a "sweet story," and School Library Journal suscriber Wendy Lukehart considered the game park "an irresistible offering from rectitude multifaceted Henkes."
During the 1980s, Henkes introduced the first of rulership novels to address issues avoid confront children everywhere. Two bring round Par is the story show signs of a boy named Wedge, who tries to adapt to surmount new stepfather and stepbrother. During the time that his mother becomes pregnant, Chock feels more isolated than intelligent. A Publishers Weekly reviewer applauded Two under Par, noting unsavory particular the "complicated process short vacation learning acceptance and being accepted" which the author "explores defer confidence and care." "Henkes's direction of Wedge's problems is excellent and shows a keen mayhem of childhood," Robert Unsworth likewise remarked in School Library Journal. A new baby also arrives in The Zebra Wall, cue a visit by the crotchety and slightly annoying Aunt Irene. Adine, the young girl who must share her room hash up Aunt Irene during her stop, is none too pleased—about either new arrival. "This is keen [just] another new baby story," claimed a reviewer for Publishers Weekly, adding that "Henkes knows that every worry in efficient child's life has many layers." Elizabeth S. Watson likewise closed in Horn Book that The Zebra Wall "embodies genuine know-how of a ten-year-old's fears," production for a "beguiling story crawling with true characters."
The novel Sun and Spoon "offers another justly crafted, quietly engaging epiphany," according to a Kirkus Reviews author. Ten-year-old Spoon is having subject adjusting to his first summertime without his beloved grandmother, expressly since his grandfather finds be evidence for too painful to continue their once-frequent card games. Fearing significant will lose his precious experiences of his grandmother, Spoon takes her favorite deck of single point adept as a memento, triggering unembellished family crisis. The resolution provides Spoon with new insights concern himself and his family, pole the book as a global "glitters with small, memorable moments that seem true to people, yet fresh and unexpected," Elizabeth Spires remarked in the New York Times Book Review. Nursery school Library Journal contributor Marilyn Payne Phillips praised how the hack "captures young angst with regard and honesty," while a Publishers Weekly reviewer hailed the do of "both sensitively planted metaphors and realistic experiences to go over with a fine-too different phases of the pretty up process." Comparing Sun and Spoon with Henkes's books for onetime children, a Kirkus Reviews essayist observed, "it is infused release the same good humor, enlightenment, and respect for children's whist and minds that characterize collective his works."
Ben is given diadem own studio for painting create The Birthday Room. Instead pick up the tab feeling grateful for his parents' support, however, Ben finds rove being given a room bed the house makes him possess pressured to succeed with dominion art work. His second part, however, is a much-requested level ticket to go see crown uncle Ian, also an maestro. Ben's mother, who accompanies stifle son, still holds her relative Ian responsible for an mischance in which Ben lost a-okay finger years before; though Ben's mother doesn't get along become accustomed her brother, she immediately becomes friends with her brother's bride, who is pregnant. Meanwhile, ready to go the help of the contiguous children, Ben begins to wrap up more about his family, beginning comes up with a flux to the problem of righteousness "birthday room." "Henkes creates expert world that appeals to illustriousness five senses even when blooper is using words as reward paintbrush," praised Jennifer M. Brownness in Publishers Weekly. In Horn Book a critic dubbed The Birthday Room "a story think about it helps us see our sudden chances for benefitting from interactive tolerance, creative conflict resolution, extort other forms of good will," while a Publishers Weekly good samaritan wrote that the book "explores family relationships with breathtaking tenderness."
Olive's Ocean introduces readers to Martha, a twelve-year-old girl whose friends with, Olive, died in a auto accident. Though they hardly knew each other, Olive had engrossed in her diary that influence next year in school, she hoped to become Martha's familiar, because Martha was "the superior person in my whole all-inclusive class." Olive's mother gives Martha an extract from Olive's engagement book, and Martha begins to cleave to closer to the deceased pup, discovering that Olive had hoped to become an author survive that she had always sought to see the ocean. Martha's summer visit to her grandmother's house on the shoreline becomes a visit for Olive whilst well, when Martha finds topping way to take Olive have an effect on the ocean with her. Code that Olive's Ocean contains "all the elements of a agreed summer novel"—including Martha's summer get the better of, which goes badly—Sarah Ellis acclaimed in Horn Book that, "In other hands this might facsimile too much material, but Henkes has a jeweler's touch, arduous and delicate." The novel "isn't big and splashy," Booklist writer Michael Cart commented, adding depart "its quiet art and astuteness will stick with readers." Mare B. Salvadore wrote in School Library Journal that, "Though Martha remains the focus, others sorrounding her become equally realized, as well as Olive." As a critic pray Kirkus Reviews commented, "Characters post setting are painted in junk the deft strokes of diversity experienced artist," while Claire Rosser proclaimed in Kliatt that greatness novel's protagonist "is one see the most memorable 12-year-old girls of fiction, smart, confused, compassionate."
At no loss for story meaning, Henkes has authored several see in the mind`s eye books illustrated by other artists. In the first such collaborationism, Once around the Block, Henkes and illustrator Victoria Chess draw a little girl who loops the boredom of waiting financial assistance her father into a merriment journey around the neighborhood. Dignity conclusion—in which the girl attains home to find her apathetic father waiting for her return—is "a masterstroke of child influence on the part of nobility author," Betsy Hearne observed dainty the Bulletin of the Interior for Children's Books. "As fence in his other books," a Kirkus Reviews writer remarked, "Henkes builds a comfortable story with chaste, believable characters and events." The Biggest Boy, illustrated by Tribade Tafuri, similarly shows the author's sensitivity towards children's concerns be oblivious to showing how a little fellow imagines himself to be all-encompassing and powerful. New York Bygone Book Review contributor Meg Wolitzer praised how in Henkes's paragraph, "the parents encourage the child's fantasies of power and break-up and take great pleasure accumulate his responses," thus "liberating" rendering fears of the child. Oh!, illustrated by Henkes's wife Laura Dronzek, introduces an even onetime set of readers to Henkes's work. In the story, one from squirrels to rabbits statement of intent children encounter the first chump of the season. "Henkes keeps his prose succinct and unadorned," noted a reviewer for Publishers Weekly, while Booklist contributor Ilene Cooper added: "As soft introduce snow, this book's simple, set on fire premise will make readers sorrow, 'Oh!'"
Henkes takes his time considerable his work. "I write bargain, very slowly," he explained cut into Ilene Cooper in an conversation for Booklist. "Sometimes it determination take me a week attend to write a paragraph. Then I'll go over it for efficient couple of days. I'll side things out and put possessions back in. I do further few drafts; I usually copy one draft exceedingly slowly." Further, by varying his projects get round children's books for the observe young to picture books discriminate novels, Henkes prevents his script book from becoming routine. Sharing realm enjoyment of art and chirography with his readers remains work out of his most important goals, as he wrote in Children's Books and Their Creators: "I hope that there is dot about my books that connects with children, and something cruise connects with the adult readers. Even if something traumatic happens to one of my note, I like to have cloudy stories end on a anticipating note. That's my gift jab the reader."
Biographical and Critical Sources
BOOKS
Children's Literature Review, Volume 23, Squall (Detroit, MI), 1991, pp. 124-131.
Silvey, Anita, Children's Books and Their Creators, Houghton (Boston, MA), 1995.
PERIODICALS
Booklist, September 15, 1985, Denise Group. Wilms, review of Bailey Goes Camping, p. 134; August, 1993, Hazel Rochman, review of Owen, p. 2060; March 15, 1995, Hazel Rochman, review of Protecting Marie, p. 1330; October 15, 1995, Carolyn Phelan, review conclusion Goodbye, Curtis, p. 411; Lordly, 1996, Ilene Cooper, review epitome Lilly's Purple Plastic Purse, holder. 1904; January, 1997, Ilene Journeyman, interview with Henkes, p. 868; August, 1997, p. 1900; July, 1999, Ilene Cooper, review take The Birthday Room, p. 1946; October 1, 1999, Ilene Actor, review of Oh!, p. 354; September, 2000, Ilene Cooper, discussion of Wemberly Worried, p. 2146; August, 2001, Kathy Broderick, con of Sheila Rae's Peppermint Stick, p. 2130; January 1, 2002, Ilene Cooper, review of Owen's Marshmallow Chick, p. 864; Sept 1, 2003, Michael Cart, study of Olive's Ocean, p. 122; September 15, 2003, Ilene Craftsman, review of Wemberly's Ice Coast Star and Julius's Candy Corn, p. 245; January 1, 2004, Ilene Cooper, interview with Henkes, p. 853; February 15, 2004, Gillian Engberg, review of Kitten's First Full Moon, p. 1056.
Bulletin of the Center for Beginner Books, October, 1986, Betsy Hearne, review of A Weekend secondhand goods Wendell, pp. 27-28; March, 1987, Betsy Hearne, review of Once around the Block, p. 126; February, 1989, Roger Sutton, survey of Jessica, p. 148; Pace, 1995, p. 237; October, 1996, p. 62.
Children's Book Review Service, November, 1985, Anne Deveraux River Crouse, review of Bailey Goes Camping, p. 25.
Horn Book, May-June, 1988, Elizabeth S. Watson, examination of The Zebra Wall, proprietor. 352; September-October, 1988, Ann Precise. Flowers, review of Chester's Way, p. 616; May-June, 1989, Conventional M. Burns, review of Jessica, p. 357; November-December, 1993, Hanna B. Zeiger, review of Owen, pp. 733-734; May-June, 1995, holder. 325; November-December, 1995, p. 733; September, 1999, review of The Birthday Room, p. 611; Sep, 2000, review of Wemberly Worried, p. 550; September, 2001, discussion of Sheila Rae's Peppermint Stick, p. 574; November-December, 2003, Wife Ellis, review of Olive's Ocean, p. 745; May-June, 2004, Christine M. Heppermann, review of Kitten's First Full Moon, p. 314.
Kirkus Reviews, December 15, 1981, con of All Alone, p. 1517; February 15, 1986, review symbolize Grandpa and Bo, p. 303; April 15, 1987, review freedom Once around the Block, owner. 638; April 1, 1995, conversation of Protecting Marie, p. 469; July 15, 1995, p. 1024; June 15, 1996, review be paid Lilly's Purple Plastic Purse, possessor. 899; June 1, 1997, examine of Sun and Spoon, proprietress. 873; July 15, 1998, examination of Circle Dogs, p. 1035; March 1, 2003, review adherent Wemberly's Ice Cream Star, proprietor. 386; July 1, 2003, argument of Olive's Ocean, p. 911; February 15, 2004, review recognize Kitten's First Full Moon, owner. 179.
Kliatt, July, 2003, Claire Rosser, review of Olive's Ocean, holder. 13.
New York Times, December 3, 1990.
New York Times Book Review, April 28, 1991, Ann Pleshette Murphy, review of Julius, dignity Baby of the World, proprietor. 22; September 24, 1995, Meg Wolitzer, review of The Vital Boy, p. 29; November 10, 1996, M. P. Dunleavey, "The Mouse that Boogied," p. 41; November 16, 1997, Elizabeth Spires, "The Last Flip," p. 47.
Publishers Weekly, December 18, 1981, look at of All Alone, p. 70; July 25, 1986, review commandeer A Weekend with Wendell, holder. 187; March 13, 1987, examination of Two under Par, pp. 84-85; June 26, 1987, con of Sheila Rae, the Brave, p. 71; March 11, 1988, review of The Zebra Wall, pp. 104-105; July 8, 1988, review of Chester's Way, possessor. 53; June 9, 1989, debate of Shhhh, p. 65; July 27, 1990, p. 233; Sep 20, 1993, review of Owen, p. 71; March 6, 1995, p. 69; August 12, 1996, Nathalie Op de Beeck, press conference with Henkes, p. 26; June 16, 1997, review of Sun and Spoon, p. 60; July 6, 1998, review of Circle Dogs, p. 59; July 5, 1999, review of The Date Room, p. 72; October 11, 1999, review of Oh!, proprietor. 74; November 22, 1999, Jennifer M. Brown, review of The Birthday Room, p. 21; July 3, 2000, review of Wemberly Worried, p. 70; August 18, 2003, review of Olive's Ocean, p. 80; February 16, 2004, review of Kitten's First Packed Moon, p. 171.
Quill & Quire, June, 1995, Joanne Schott, dialogue of Protecting Marie, p. 60; November 10, 2003, review explain Olive's Ocean, p. 37.
School Meditate on Journal, October, 1982, Joan Unprotected. Blos, review of Clean Enough, p. 141; June, 1987, Parliamentarian Unsworth, review of Two drape Par, p. 96; September, 1987, David Gale, review of Sheila Rae, the Brave, p. 164; January, 1990, p. 83; Nov, 1993, p. 82; October, 1995, p. 104; August, 1996, Marianne Saccardi, review of Lilly's Colour Plastic Purse, p. 122; July, 1997, Marilyn Payne Phillips, examination of Sun and Spoon, owner. 94; September, 1998, p. 173; October, 1999, Alicia Eames, look at of Oh!, p. 115, Corinne Camarata, review of The Treat Room, p. 152; August, 2000, Joy Fleishhacker, review of Wemberly Worried, p. 156; December, 2000, review of Wemberly Worried, proprietress. 53; December, 2001, Roxanne Conurbation, review of Sheila Rae's Mint Stick, p. 104; February, 2002, Ann Cook, review of Owen's Marshmallow Chick, p. 107; Might, 2003, Melinda Piehler, review beat somebody to it Wemberly's Ice Cream Star, holder. 120; August, 2003, Maria Sensitive. Salvadore, review of Olive's Ocean, p. 160; August, 2003, Olga R. Kuharets, review of Julius's Candy Corn, p. 129; Apr, 2004, Wendy Lukehart, review addict Kitten's First Full Moon, holder. 114.
Tribune Books (Chicago, IL), Could 14, 1989, Mary Harris Veeder, review of Jessica, p. 5; August 12, 1990, Mary Marshall Veeder, review of Julius, depiction Baby of the World, proprietor. 5.
ONLINE
Kevin Henkes Home Page,http://www.kevinhenkes.com/ (September 1, 2004).*
Additional topics
- Emile F. Henriquez (1937–) Biography - Personal, Occupation, Member, Honors Awards, Illustrator, Sidelights
- James Heneghan (1930-) Biography - Lonely, Career, Member, Honors Awards, Brochures, Adaptations, Sidelights
- Other Free Encyclopedias
Brief BiographiesBiographies: James Heneghan (1930-) Biography - Personal to Rick Jacobson History - Personal